This research aims to 1) To study the theoretical beauty object. 2) To study the Nakhon Chai Burin silk. And 3) To analyze the beauty of Nakhon Chai Bu Rin silk. According to the theory of objectivity This is a qualitative research. The in-depth interviews with the target group were Silk Weaving Group and 20 Folk Guru Group, 16 Promoters, 16 Generalized Information Users, and 52 Subjects and presented with a descriptive analysis method based on induction method.
The research found that :
1) Beauty according to objective theory. Is a look at the value of aesthetics that is the only object that consists of elements of art. Including colors, sizes, proportions, rhythm ranges, spaces, and supporting factors By being able to recognize the value of this art by sensory Which most people are satisfied with or like in that object.
2) Nakhon Chai Burin silk fabric, including silk, Hang-Kra-Rok silk Nakhon Ratchasima Province, Kho-khan-Na- Ri Silk Chaiyaphum Province, Red Footed Silk, Buriram Province, and Hol Silk Surin Province. Is a hand-crafted handicraft that has the beauty of silk and has a unique character that is characterized by colors, patterns to fulfill the purpose of various uses.
3) The beauty of Nakhon Chai Burin silk according to the objective theory. Is a beauty that has been meticulously woven. Elaborate and elaborately combined with the perseverance of the weavers with the knowledge of science and art about weaving as well. When analyzing aesthetic values according to objective theory will see that the beauty of Hang-Kra-Rok silk, Kho-khan-Na- Ri Silk, Red Footed Silk and Hol Silk. There are 3 aesthetic qualities: 1) Beauty is caused by the color line, size, proportion, rhythm, space and color. 2) Beauty is caused by art description and 3) Beauty is caused by sensory perception.
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