This study is consists of 3 objectives, i.e.,(1) To study the importance of the Buddhist murals. (2) to study the mural painting in Wat Thungsrimuang, Changwat  Ubonratchaathani. (3)to study an  analytical study  of  the  Buddha  Dhamma found on mural painting in Wat Thungsrimuang, Changwat  Ubonratchaathani, toword life in social. These studies A qualitative research. The study of relevant documents. And in the next field. Data were collected by interviews. Analyze data and generate conclusions.

Research indicates that Wat Thungsimuang Changwat Ubonratchathani was made in the early Rattanakosin period. Was in the reign of King Nang Klao, Rama 3 Murals inside the temple Wat Thungsimuang. Was Tradition Thailand painting style Use bold colors including white, red, blue, yellow, green and brown as the main color, making images look more interesting to follow.The murals in the temple Wat Thungsimuang. A story of the Buddha image worlds and Trinity. The front wall of the principal Buddha's death. Behind the Buddha is Buddha's temptation. The right of the altar painting allegory. The Story of Vessantara . The left hand of a Buddha statue. Before the Enlightenment. Murals in the Grand Hall allegory painting the story of Vessantara, the story of the Buddha and Pagoda enshrined. In the central hall and writing, painting is a trod smooth Banach  hold together. The middle wall is roller coaster. The above images show the very fuzzy. One door, four windows wall. Doors and windows, as Porter write beautifully. The murals of Wat Thung Si Muang. Was created to be used as another way to communicate using picture symbols. Inscribed onto the walls, which aims to spread the story of Buddhism. recorded Ideas Or to convey a lifestyle Customs of the society in that era.

Murals Wat Thungsimuang is. It reflects the story of contemporary social life as the prosperity of the country. Occupational skits, ceremonies, dress and hairstyles. There is a mural painting at Wat Thungsimuang also draw in those who have a sense of humor to portray depictions by imagined persecutors of the murals painted in this. Which is indicative of an identity of their own mind. The ride home was a woman did not let the boys watch the bags open. This can always laugh when the visitors had seen the picture.

Each painting has a principle inherent in the story of life. The reality of world. Accuracy and goodness of human which every thought these would be a way to bring light to the life of the miners to find a clean, peaceful light. Such as the principle of this allegory about story of Vessantara.The wisdom of Buddha found Archangel 4.Principle was extinguished passion of images Temptations and the vigilance of the image coming off the Kham’s death etc. Justice is 10 Kusala-kammapatha and 7 Bojjhanga of the mural show the conduct in merit. It will be born as a person important in Buddhism such as Buddha, Holy Apostles etc. 10 Punnakiriyavathu and Acts 10 Parami of Temptation demonstrated to perform meritorious acts. To achieve the target. The end of passion is the saint. Besides; 2 Devathamma and 4 Garavasadhamma.